Ah I Luv Halloween, seen that around, reminds me a bit of cartoons like
Aah Real Monsters and Jhonen Vasquez's work (
Invader Zim).
It would be interesting to see if comics as whole (manga, comics, BDs) are going to mix even further into a 'world comics' idea. Especially when today's young creator are able to take in influence from around the globe much more easier.
EDITED TO ADD
In Japan, readers clearly perceive my stories AS BD, and although they may seem a bit unusual, they appear closer in their eyes to French cinema than to Bilal's albums. While French readers notice the « Japanese » side of my stories, it is their « French » tone that strikes their Japanese counterparts.
The term Nouvelle Manga was thus born in Japan to define my picture stories that are neither completely BD nor completely manga, and that remind of the tone of French cinema.Above quote from Frédéric Boilet's Nouvelle Manga ManifestoIn light of my above comment about the idea of world comics a recent discovery seems to back up the idea. Lately I've been reading some of the Le Nouvelle Manga works, specifically Boilet's Yukio's Spinach and his collaboration with Kan Takahama, Mariko Parade. And while I can't say much about his photo(shop)realistic illustrations I do see a more subtle manga connection in the tone and pacing. This is more apparent with the partnership with Takahama, someone who works in a more recognizable manga style.